Artwork > Morphic Resonance

"Ma"
Acrylic & ink on paper
120" x 52"
2002
"Long Barrow"
Acrylic & ink on paper
120" x 52"
2003
"New Genome"
Acrylic & ink on paper
120" x 52"
2003
"Draconis"
Acrylic & ink on paper
120" x 52"
2002
"Narcissus"
Acrylic & ink on paper
120" x 52"
2003
"Nelumbo"
Acrylic & ink on paper
120" x 52"
2000
"Adamantine"
Acrylic & ink in Paper
120" x 52"
2001
"Naga"
Acrylic & ink on paper
120" x 52"
2001

Freedom or Alienation
In fear, terror, separation, isolation, violence through confinement, coercion:
Slavery of the Self
is my experience of the world.

I choose the Path of Self-Liberation, I use tantric practices of Self-Transformation.

Changing the habits of inner-imprisonment.
Changing your own electromagnetic field.
Changing the habitual frequency of alienation.

The practice of Art enhances the inner journey.
A personal metamorphosis operates through the experience of the mental process of Order.
A Geometric Order. A Geometric Consciousness.
Focus on the spiritual practice of the ruler and the compass, the human touch, the Craft, "Le trace".
Countless patterns have originated from the single module I use.
A single diagram, historically known as the “Vesica Piscis”
(or the Vessel of the Fish), which could be described as overlapping two circles, creating an almond shape in between, the Mandorla.
A true Seed has given birth to multiple forms and patterns used in my paintings, which I consider as vibrations made visible.
Unlike the Modernist grid based on squaring the lines
(reflecting a mechanistic viewpoint of the world),
I use a lattice based on merging circles, the Circle.
As round as planet Earth is seen from above.
Not just a new geographical paradigm; it is a new galactic viewpoint.
I stand by a cosmological model of the universe that proposes Pure Vibration as the true nature of Manifestation.
A new paradigm where Time and Space are conceived and experienced as dynamic fields of energy.
The patterns seen in my paintings are tangible frequencies.
The foundation of my work is the ratios, the measurements of the wavelength, and the permutation of sequences with which I conceive of my patterns. They speak of overtones of dimensions not experienced consciously yet.
Living our multidimensional Self.

Houston, 2003.